Where’s the Story?

 

Lee with SNL actress Kate McKinnon at the Big Island Film Festival 2013
Lee with SNL actress Kate McKinnon at the Big Island Film Festival 2013

For the past few days, I’ve been attending the Big Island Film Festival in Hawaii, where my short film Bumsicle is screening. I’ve seen quite a few shorts and I’ve been struck by how slick they are technically…and how weak so many of them are when it comes to story telling. It’s as if the film-makers had an idea for a moment, or a character, and then went ahead and made a movie before figuring out if they actually had a story to tell. It’s incredibly frustrating. So many of the shorts start out with promise and then peter out into nothing.

What these film-makers don’t seem to understand is that the story is the most important element… not the kind of camera, editing software, or lighting package you’ve got.  All of the technology , all of the acting, all of the directing, are in the service of one thing: telling a great story. If you have a great story, then you can overcome poor production values, iffy sound, and weak acting and still have a strong film. But if you have terrific production values, great sound, and good acting, but your story sucks, or doesn’t go anywhere, your gonna have a crap film, guaranteed.

That said, I’ve also seen some really great stuff here. I think my favorite film so far was PERVERTIGO, a very clever, refreshingly original noir/comedy about a peeping tom who gets strong-armed into committing a murder. It was a technically top-notch for an ultra-low-budget film and the script was terrific.

I also got the chance to spend a few minutes chatting with Saturday Night Live castmember Kate McKinnon, who is one of the Festival’s special guests. This is her first season on the show and she was an immediate, break-out hit with her impersonations of Ellen DeGeneres, Penelope Cruz, and Martha Stewart, among others. But you’d never know that talking to her. She’s very soft-spoken, low-key and self-deprecating. Success is still new to her…a little over a year ago, she was reeling from the cancellation of her show on the Logo network. She told us she got by on unemployment benefits and writing children’s books under a pseudonym. Every year, Kate sent an audition tape to SNL and never heard anything…but this time was different. She got a call-back and, much to her surprise, got hired as a new cast member. The season finale was only last week, so she’s still getting used to the fact that she’s got a steady job on a hit show. It was nice to meet a TV star who is still very much a “normal person.” I hope she stays that way, despite the success and fame that is surely coming her way.

Our chat reminded me of another celebrity encounter I had many years ago. My wife and I were vacationing in the Bahamas and shared a bus ride to the airport with George Clooney, who was a regular on Sisters at the time.  He was friendly, approachable, and came across as a nice, average guy, despite his celebrity gig. We had a very pleasant, relaxed conversation. The bus driver, an older woman, complimented him on his straw hat, and he told her some amusing anecdote about how he got it. The bus broke down and the driver started crying, distraught that we’d miss our planes. Clooney reassured her that it was no big deal, that these things happen, and gave her the straw hat on his head as a gift to calm her down. Every time I see Clooney in a movie, I remember that encounter and hope he’s still the same, nice guy despite his wealth and fame.

“That Thing You Did With Your Mouth”

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Virgin Jon Snow brings cunnilingus to the Wildings

I got a big kick out of GAME OF THRONES last Sunday…when virgin Jon Snow introduced the Wildings to cunnilingus and won the undying devotion of his lover, who was “amazed” at “that thing you did with your mouth.” It was hilarious, matched only by the ridiculous moment in Jean Auel’s novel VALLEY OF THE HORSES when blond Cro-Magnon cavewoman Ayla gave her astonished Neanderthal lover Jondalar a blowjob, demonstrating one of the ingenious reasons why Cro-Magnons would survive and Neanderthals wouldn’t. It was a rare GAME OF THRONES misstep, but entertaining nonetheless.

 

Big Week for BUMSICLE

2013 SELECTION LAUREL AWARD NOMINEE copyWe've had a flurry of festival acceptances this week for Bumsicle...and we learned that we've been nominated for Best Dramatic Short by the Bare Bones International Film Festival. The attention we're getting from all of these festivals is a real thrill for me and the entire cast & crew.

Here's the tally of festival picks so far… 

White Sands International Film Festival, Las Cruces, New Mexico – August 2012

Louisville's International Festival of Film, Louisville, Kentucky – October 2012

River City Festival of Film, Owensboro, Kentucky – November 2012

Trail Dance Film Festival, Duncan, Oklahoma – January 25-26, 2013

Bare Bones International Film & Music Festival, Muskogee, Oklahoma – April 4-14, 2013
Selected as Nominee for Best Dramatic Short Film

Myrtle Beach International Film Festival, Myrtle Beach, South Carolina – April 24-27, 2013

Cape Fear Independent Film Festival, Wilmington, North Carolina – May 9-12, 2013

Big Island Film Festival, Hawaii – May 23-27, 2013

…and, we hope, more to come!

“Bumsicle” Gets Some Love

405191_264384426980041_853296782_nThis has been a great week for my short film Bumsicle, which I wrote and directed in Owensboro, Kentucky last year. We were picked up by both the Big Island Film Festival in Hawaii and the Cape Fear Film Festival in North Carolina. 

So far, "Bumsicle" has been selected by half-a-dozen festivals… from Hawaii to North Carolina, from Oklahoma to Kentucky. There are still thirty festivals that we've submitted to and haven't heard from yet…but at least we're on par now with Remaindered, the short mystery that also featured Todd Reynolds as Detective Bud Flanek. Clearly I am going to have to do a third short one of these days about Flanek.

These festival picks are the result of the wonderful work done by actors Todd Reynolds, Rick Montgomery, Sadia Brimm, and Josh Loren, singer/song writer Matt Branham, producers Rachael Nunn, J. Laine Nunn, and Roxi Witt, and everyone else in our talented cast and crew. I'm so glad they they are getting some notice outside of Owensboro for their work.

UPDATE 3-21 Bumsicle has been nominated for Best Dramatic Short at the Bare Bones International Film Festivals in Oklahoma. Winners will be announced April 14.

Writing on the Fast Track

Fast Track - Lee GoldbergI've had so much commercial and critical success with my ebook McGRAVE, which was based on an unproduced pilot I wrote for Sony International Television, that I've decided to write novelizations of all of my pilot and TV movie scripts, produced and unproduced, on which I retained the publishing rights. 

So during a brief hiatus between books in 2012, I novelized my first draft screenplay for FAST TRACK, the action movie I wrote and produced for Action Concept and ProSeiben in Berlin a few years ago.

FAST TRACK was a two-hour pilot for an American-style action series that would have been shot in English and German with a cast of American, Canadian, British, French and German actors and followed the lives of four young people in the world of illegal street racing. ProSeiben commissioned the pilot movie and scripts for six episodes. Making the movie, which was directed by Axel Sand and starred Erin Cahill, Andrew Walker, Alexia Barlier and Joseph Beattie, was one of the highlights of my career and the friendships I made during the production continue to this day. It was a fantastic experience professionally, creatively and personally (if you watch the "Making of Fast Track" documentary, I think you'll see why). Unfortunately, the series didn't happen…but perhaps because I've remained close to many of the actors, the characters have stayed fresh in my mind. I haven't been able to let go of them, and have tried to resurrect the project several times over the years (we came close with Cartoon Network, but it fell through).

So I approached the opportunty to revisit the FAST TRACK world with enthusiasm. I used the first draft screenplay as the basis for the book because it had some action elements that we either had to omit or re-imagine due to budget/scheduling/location issues and a prologue that was shot, but that I ultimately cut, in the final edit (I've always regretted cutting the prologue).  

The film took place in Berlin, but I decided the novella would work better in the United States, so that required some rethinking of the characters' backstories and reworking some of the scenes. I also did a complete update on the cars, with the help of Sam Barer, the same technical consultant we used on the movie. 
Fast-Track-No-Limits

I had so much fun writing the FAST TRACK novella that if it does well, I may revisit the characters in sequels based on the twelve episode ideas that I came up with during the development of the pilot (though the stories,which I haven't looked at in years, may have been so Berlin/Europe-centered that they may not work in the new, Los Angeles setting).

But this experience has definitely spurred me on to take a look at my other scripts. I don't know yet which one I will tackle during my next short hiatus.

If you'd like to know more about FAST TRACK, here are some links:

The Making of Fast Track documentary

The Fast Track Trailer

The Fast Track Movie

My Blogs About the Production, Post-Production and Promotion of Fast Track